All Bitches Die, by LINGUA IGNOTA

All Bitches Die

by LINGUA IGNOTA

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nathan_raw_burps An incredible exploration of the idea of victims returning violence to their abusers. Aileen Wuornos made complete and total sense on this record, as did the Medea sample. This kind of debut isn't one you can overlook - you are forced to contend with it and take it seriously. Fucking hell, dude. Favorite track: Woe To All (On The Day Of My Wrath).

Christopher Hasha Pure, raw, unadulterated emotion. Amazing from beginning to end. Favorite track: Woe To All (On The Day Of My Wrath).

Haydin A familiar pain, consoled with blood. Favorite track: All Bitches Die (Bitches All Die Here).

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All Bitches Die CD
Compact Disc (CD) + Digital Album
Six Panel Digipack with spot gloss.

Includes unlimited streaming of All Bitches Die via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.

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1.	Woe To All (On The Day Of My Wrath) 15:01	buy track
2.	God Gave Me No Name (Nothing Can Hide From My Flame) 04:49	buy track
3.	All Bitches Die (Bitches All Die Here) 12:22	buy track
4.	For I Am The Light (And Mine Is The Only Way) 05:06	buy track
5.	Holy Is The Name (Of My Ruthless Axe) 05:29	buy track

about

LINGUA IGNOTA, the solo project of multidisciplinary artist Kristin Hayter, takes a radical, unflinching approach to themes of violence and vengeance in ways that are moving, brutal, and harrowing. Her music is intentionally situated at specific and strange intersections, incorporating elements of power electronics, death industrial, and black metal alongside baroque classical, spiritual minimalism and folk. Relentless intensity and soaring dramatic arcs are informed by Hayter’s background in classical music, and the major sonic locus of the project is her voice, a dynamic entity that rushes from unhinged screaming to lilting soprano to angular belting with an artistry and ferocity that has drawn comparisons to Diamanda Galas. She is notorious for confrontational live performances that can leave an audience breathless or in tears.

Hayter began classical training at the age of ten with intent to pursue an operatic conservatory track. Instead she developed an interdisciplinary fine arts practice at The School of the Art Institute of Chicago. She continued with graduate work at Brown University, producing a controversial thesis titled BURN EVERYTHING TRUST NO ONE KILL YOURSELF. LINGUA IGNOTA was born out of this thesis which re-contextualized misogynist content as biblically vitriolic anthems for survivors of domestic violence and sexual assault. A survivor herself, Hayter seeks to give a singularly aggressive voice to the unheard, silenced, and dismissed.

Lingua Ignota self-released two albums in 2017 that garnered noteworthy attention and accolades. She tours and collaborates chiefly with metal-transgressing luminaries The Body.

credits

released June 22, 2018

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about

LINGUA IGNOTA Chicago, Illinois

shows

Oct 06

La Farga De L'Hospitalet De Llobregat

L'Hospitalet de Llobregat, Spain
Oct 10

Theatre, EartH

London, UK
Oct 11

Theatre, EartH

London, UK
Oct 13

Botanique - Grand Salon

Brussels, Belgium
Oct 13

Hard Club

Porto, Portugal
Nov 10

Paramount Theatre

Austin, TX
Nov 11

Texas Theatre

Dallas, TX
Nov 12

Gasa Gasa

New Orleans, LA
Nov 13

Terminal West

Atlanta, GA
Nov 14

The Basement East

Nashville, TN
Nov 15

The Orange Peel

Asheville, NC
Nov 17

The Broadberry

Richmond, VA
Nov 18

Baltimore Soundstage

Baltimore, MD
Dec 14

Mr Smalls Theater

Pittsburgh, PA
Dec 15

Union Transfer

Philadelphia, PA
Dec 16

Pioneer Works

Brooklyn, NY

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