All Bitches Die, by LINGUA IGNOTA

All Bitches Die

by LINGUA IGNOTA

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9m2studio Well-crafted, deep and poetic yet also modern, original and shocking.
Transgressive and sui generis.
A gem. Favorite track: For I Am The Light (And Mine Is The Only Way).

Alice M. Came across this stuff via some The Body album descriptions, due to some collaborations.
Gosh, this is terrifying. But also intelligent. Not just violence for the sake of it. And the softer parts are priceless as well. And everything in between (sometimes hard to name or describe) too. Everything sounds true and deliberate. Assuredly an inimitable artist.

sinistralsounds As usually Lingua has mastered the use of samples to enhance her work. The contrast between her vocal delivery, lyrics and how good in general everything just mixes together.. This is perfection. Favorite track: Holy Is The Name (Of My Ruthless Axe).

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All Bitches Die CD
Compact Disc (CD) + Digital Album
Six Panel Digipack with spot gloss.

Includes unlimited streaming of All Bitches Die via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.

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1.	Woe To All (On The Day Of My Wrath) 15:01	buy track
2.	God Gave Me No Name (Nothing Can Hide From My Flame) 04:49	buy track
3.	All Bitches Die (Bitches All Die Here) 12:22	buy track
4.	For I Am The Light (And Mine Is The Only Way) 05:06	buy track
5.	Holy Is The Name (Of My Ruthless Axe) 05:29	buy track

about

LINGUA IGNOTA, the solo project of multidisciplinary artist Kristin Hayter, takes a radical, unflinching approach to themes of violence and vengeance in ways that are moving, brutal, and harrowing. Her music is intentionally situated at specific and strange intersections, incorporating elements of power electronics, death industrial, and black metal alongside baroque classical, spiritual minimalism and folk. Relentless intensity and soaring dramatic arcs are informed by Hayter’s background in classical music, and the major sonic locus of the project is her voice, a dynamic entity that rushes from unhinged screaming to lilting soprano to angular belting with an artistry and ferocity that has drawn comparisons to Diamanda Galas. She is notorious for confrontational live performances that can leave an audience breathless or in tears.

Hayter began classical training at the age of ten with intent to pursue an operatic conservatory track. Instead she developed an interdisciplinary fine arts practice at The School of the Art Institute of Chicago. She continued with graduate work at Brown University, producing a controversial thesis titled BURN EVERYTHING TRUST NO ONE KILL YOURSELF. LINGUA IGNOTA was born out of this thesis which re-contextualized misogynist content as biblically vitriolic anthems for survivors of domestic violence and sexual assault. A survivor herself, Hayter seeks to give a singularly aggressive voice to the unheard, silenced, and dismissed.

Lingua Ignota self-released two albums in 2017 that garnered noteworthy attention and accolades. She tours and collaborates chiefly with metal-transgressing luminaries The Body.

credits

released June 22, 2018

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about

LINGUA IGNOTA Chicago, Illinois

shows

Oct 04

The Sinclair

Cambridge, MA
Oct 17

Le Poisson Rouge

New York (NYC), NY
Nov 08

Thalia Hall

Chicago, IL
Jun 02

Parc del Fòrum

Barcelona, Spain

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