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I Have Fought Against It, But I Can’t Any Longer.
by the body
supported by 168 fans who also own “ALL BITCHES DIE”
An extremely well-developed piece of hauntingly atmospheric misanthropy. A great balance of riffs and guitar to catchy yet discomforting programming, with a great performance throughout the course of the album by Chrissy Wolpert. I don't give this album the credit it deserves, but goddamn, it's one of their best.
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Hiss Spun
by CHELSEA WOLFE
supported by 160 fans who also own “ALL BITCHES DIE”
This album gurns and churns with the dense, atmospheric power of an angel wrestling the forces of hell. Wolfe's voice is an ethereal swirl, but it can cut like a blade. Her guitar, meanwhile, is a reaper's scythe, and with it, she flails like a Balrog summoned deep and raging from the bowels of Middle Earth. It's an album of dreams and nightmares, a sludge-gaze torrent of painful questions hurled into the void. A brave, bold and empowering listen.
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Everywhere at the end of time
by The Caretaker
supported by 136 fans who also own “ALL BITCHES DIE”
Absolutely surreal. Cannot decide a favorite track personally.
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Songs and demos
by Venerandi
Spanish composer and producer Giulia Venerandi conjures shadowy, spellbinding sounds at the intersection of dark ambient and dub.
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Pleats
by 9ms
9ms excel at making moody, dubby songs suffused with shadow, where a steady bass pulse guides ghostly melodies.
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No Preview
by Hannya White
Stark and fascinating analog synth songs cross-wired with crazy rhythms & spoken word to disorienting effect.
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May Our Chambers Be Full
by Emma Ruth Rundle & Thou
supported by 120 fans who also own “ALL BITCHES DIE”
Thou and Emma Ruth Rundle are not playing opposites, nor even allies on this record. They are constantly swapping roles and spotlights. At times, Rundle leads while Thou backs. At others, Thou is center stage. It's a magnificent, ego-less union.
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