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May Our Chambers Be Full
by Emma Ruth Rundle & Thou
supported by 215 fans who also own “LET THE EVIL OF HIS OWN LIPS COVER HIM”
Thou and Emma Ruth Rundle are not playing opposites, nor even allies on this record. They are constantly swapping roles and spotlights. At times, Rundle leads while Thou backs. At others, Thou is center stage. It's a magnificent, ego-less union.
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Everywhere at the end of time
by The Caretaker
supported by 210 fans who also own “LET THE EVIL OF HIS OWN LIPS COVER HIM”
Absolutely surreal. Cannot decide a favorite track personally.
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Hiss Spun
by CHELSEA WOLFE
supported by 193 fans who also own “LET THE EVIL OF HIS OWN LIPS COVER HIM”
This album gurns and churns with the dense, atmospheric power of an angel wrestling the forces of hell. Wolfe's voice is an ethereal swirl, but it can cut like a blade. Her guitar, meanwhile, is a reaper's scythe, and with it, she flails like a Balrog summoned deep and raging from the bowels of Middle Earth. It's an album of dreams and nightmares, a sludge-gaze torrent of painful questions hurled into the void. A brave, bold and empowering listen.
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A Cassowary Apart
by Andrew Tuttle & Padang Food Tigers
A largely improvised, long-distance collaboration between Brisbane multi-instrumentalist Andrew Tuttle and London duo Padang Food Tigers.
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Songs and demos
by Venerandi
Spanish composer and producer Giulia Venerandi conjures shadowy, spellbinding sounds at the intersection of dark ambient and dub.
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Pleats
by 9ms
9ms excel at making moody, dubby songs suffused with shadow, where a steady bass pulse guides ghostly melodies.
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Grave of a Dog
by Sightless Pit
supported by 180 fans who also own “LET THE EVIL OF HIS OWN LIPS COVER HIM”
This album perfectly binds the very best features of these three artists and crushes the resulting amalgamation of sound and structure into the sticky, icky doomy nectar that is this album. Every track is it's own unique experience, and not one of them is to be missed. I am so happy that this is in the world.
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